Potter: Hitoshi Taniguchi, 5th Generation
Approximate size: W4.8″ by H2.9″ or 12.3 by 12.0 by 7.4cm
I’m listing this piece because Sansuke ware does not appear to be very well known. This bowl has been with me for over a decade now and it is still one of my favourite pieces.
This chawan was created by Hitoshi Taniguchi, who is a fifth generation master potter creating Sansuke yaki. Relatively low in height and with an average circumference this object emits an atmosphere that is hard to describe. It reminds me of the humble atmosphere emitted by Korean Ido chawan, yet in form and glazing its absolutely different from those. This chawan has a refined appearance and humble atmosphere that will last forever. An unassuming vessel that radiates modesty and humility yet fit for a king.
It reminds me the idea of how the holy grail is supposed to be a simple cup and not a chalice adorned with rubies, sapphires or other valuable metals. It was it’s simple appearance that brought me closer to Sansuke pottery. Sansuke ware has been made in Toyama prefecture for roughly 160 years now, however information about it is surprisingly sparse.
Starting with the first generation; Sansuke Taniguchi (1848-1905), joined by his first son Taichiro Taniguchi (1874-1933), started making every day items like pots, bowls and plates, intended for use. Today the 4th generation is still the main potter making Sansuke ware and is an active member of member of the Toyama Prefectural Ceramic Artists Association, the Toyama branch of the Contemporary Crafts Association, Tonami City’s Art Association Member of Toyama Prefecture and the area’s local Pottery Association. His daughter, Yuka has has been studying for over a decade now and is expected to inherit the task of keeping Sansuke ware going.
At its core folk pottery like mingei and Sansuke ware is more than just pottery; it is made to be used and represents a unique blend of simple charm and striking beauty. The unique glaze that is employed while simple evokes a sense of the force of nature. Personally I really like the atmosphere of Sansuke ware because the glaze has such a earthy atmosphere and the fluid nature of the firing process makes every piece unique.
Sansuke yaki / Sansuke ware
越中三助焼窯元
The kiln in located in Tonami City, which is known as a city of tulips and dispersed settlements. The origin of the kiln goes back about 160 years and is still active today. The potters make use of locally sourced clay and glazes are made using oils from local vegetation for all their pottery. The pale but deep green glaze generations of tradition and experience, is unique. And all steps of the process are done by hand.
The chawan is in excellent condition. Stored in the original paulownia tomobako with kiln stamp and calligraphy on the lid.
listed for reference purposes only
There are numerous flower festivals in Japan, but when it comes to tulips, it is hard to beat the No. 1 producer in the country and a city that has been cultivating the bulb since the early 20th century. Plus, Tonami is in Toyoma prefecture, where the tulip is the official flower!
